cosmoscrist

precoces

2012-01-29T08:50:00.000-08:00

bajo consumo

2012-01-29T03:35:00.000-08:00

minas

2012-01-27T12:45:00.000-08:00

torre de pizza

2012-01-26T10:09:00.000-08:00

piratas

2012-01-24T10:58:00.000-08:00

muela llena

2012-01-23T09:59:00.000-08:00

batalla perdida

2012-01-22T07:41:00.000-08:00

acorazado Potemkin

2012-01-20T12:52:00.000-08:00

todo se repite

2012-01-19T11:47:00.000-08:00

bellezas

2012-01-18T07:30:00.000-08:00

piezas abatidas en la temporada

2012-01-17T12:16:00.000-08:00

El tigre de la Malasia

2012-01-16T11:51:00.000-08:00

Maradooo Maradooo

2012-01-15T11:13:00.000-08:00

profecia digital

2012-01-14T14:41:00.000-08:00

concursos

2012-01-12T05:53:00.000-08:00

Buenos Aires ciudad tropical

2012-01-11T09:25:00.000-08:00

remake

2012-01-10T05:55:00.001-08:00

2012 Pedro Molina

2012-01-10T05:53:00.000-08:00

rating

2012-01-08T14:33:00.001-08:00

profecia

2012-01-05T17:15:00.000-08:00

reyes

2012-01-05T09:55:00.001-08:00

reciclados

2012-01-05T07:52:00.000-08:00

tratado de paz

2012-01-05T07:49:00.000-08:00

2012-01-03T15:59:00.000-08:00

Murió Ronald Searle

2012-01-03T15:55:00.000-08:00

Ronald Searle

(b. 3/3/1920-Friday 30th December, 2011, England)

A 1943 self-portrait

The inevitable day has come-I'm deeply saddened to report the death of Ronald Searle.
He passed away peacefully in his sleep on Friday 30th December, 2011.
Since the death last summer of his wife Monica,
his health declined and now Mr and Mrs Mole are together again.

Ronald Searle was born March 3, 1920 in Cambridge, England into a working class family.
He wanted to be an artist and drew credibly by the age of five and professionally at 15.
At that age he was making money for Art School classes by working
at a parcel packing firm, when the cartoonist for the Cambridge Daily News quit the paper.
In a move that was to affect a great deal of his life, Searle decided to apply for the job.
He got it and began a series of 195 weekly cartoons, each of which paid more
than a week's salary at the packing house.
Continued art classes were assured, but several detours lay ahead.

In 1939 he received his Minister of Education Drawing Diploma and enlisted in
the Territorial Army as an Architectural Draughtsman.
He continued to submit drawings and cartoons to newspapers and
magazines for the next two years, including the prototype St Trinian's
panel which appeared in Lilliput in October 1941.
That month, he shipped out to Singapore and hell.

One month after he arrived, Singapore was surrendered to the Japanese
and Searle spent the rest of the war as a prisoner.
The prison camp at Changi and the forced labor details building
the railway from Ban Pong to Burma were horrendous realities.
Searle was victim and observer and recorder of atrocities and
diseases and deaths. He never stopped drawing, despite beatings,
bouts of malaria and beri beri, and a Japanese guard's pick axe in the back.
His art sustained him and, without doubt, many of his companions in misery.

Russell Davies, in his 1990 book, Ronald Searle, A Biography,
has much detail about this portion of his life.
Two vivid passages struck me especially hard:

The Siam-Burma railway was completed on 25 October.
A celebrated feature film, The Bridge on the River Kwai,
later gave it to be understood that British personnel might
have drawn some mad sense of achievement from their forced
collaboration on this project. ...there was no question of wasting
moral energy on the formation of an attitude to the railway.
A man's own survival became his full-time task.
Whatever fragments of concern were left over, he might donate to his
fellows and the goal of getting as many out of the jungle alive as could make it."
and a quote from Russell Bradon regarding Searle,
"If you can imagine something that weighs six stone (84 pounds)
or so, is on the point of death and has no qualities of the human
condition that aren't revolting, calmly lying there with a pencil
and a scrap of paper, drawing, you have some idea of the difference
of temperament that this man had from the ordinary human being."

His return to Cambridge in October of 1945 was followed by an exhibition
of his war drawings and, in 1946, by marriage to the editor of Lilliput
and the publication of Forty Drawings, a book of his art. England
wasn't ready for the power of Searle's images and the book
was a commercial failure. Another 1946 book, Le Nouveau Ballet Anglais,
was published in France, also to no great financial success.
His second life detour pointed to cartooning, and he embraced it.

He made several forays into book illustration, but the cartoons were paying the bills.
1948 saw publication of Hurrah for St Trinian's, his first collection of cartoons
and the first nail in the constricting coffin of public preconception.
Hurrah and The Female Approach, in 1949, both featured cartoons
on other subjects, but it is for the images of the unholy girls'
school that they are most remembered. For five years he was to be
saddled with the chore of creating mischief for the girls to get up to until,
in his own 1953 Souls in Torment, he blew up the school with an atomic bomb.
If only that had been sufficient! At right, they appear
alarmingly healthy in The Terror of St Trinian's from 1956.
They went on to inspire a string of films that probably grew increasingly embarrassing.

By 1950 he was entrenched as the illustrator for Punch's theater column,
had been featured in an issue of The Studio, and been sent to Paris with his wife,
Kaye Webb, for a working holiday that resulted in A Paris Sketchbook.
For decades, Searle's life would revolve around various trips
for various magazines that reveled in and were enriched by
his illustrations made on the spot. As Russell Davies points out,
"He was not making the world look funny, but experiencing it as funny;
it was less a style than a psychological condition."

In a most remarkably short time, Searle had become one of the foremost
illustrators in England. His own publishing company, Perpetua Books ,
was started to collect his cartoons into book form. Merry England, etc.
and The Rake's Progress were among the first published.
In 1956, scarcely ten years after starting his post-war career,
he became a member of Mr. Punch's Table and one of their highest-paid staffers.
He stayed for five years and, though officially working exclusively for Punch,
his contract allowed for work outside the country and offers
began pouring in from America. Among the first was an animated film,
Energetically Yours, for Standard Oil. Its edgy, energetic style
was to influence a generation of films, starting with One Hundred and One Dalmations.
His first visit to the U.S.also led to a Punch feature, written by Alex Atkinson,
By Rocking Chair Across America, the first of many such collaborations.
It was an immediate success.

Davies again, "Where exaggeration was required, it took an organic form;
Searle would take a style or taste and show it in the grip of some
fantastic growth-hormone. Anybody could have had the idea of making
a Texan automobile a riot of carbuncular rococo excrescences,
but only Searle ... could have make the thing look as if it had arrived
at that state by some sort of ghastly evolutionary process."

Holiday magazine became a regular outlet, often pre-empting time
he might have spent for Punch. He became the first non-American
illustrator to receive the National Cartoonists Society's Reuben Award in 1960.
Life magazine sent him on assignment to Jerusalem for Adolf Eichmann's trial.
His popularity grew and his life became less and less his own. Finally in 1961,
he abandoned the detour and simply packed his bags,
left a note for his wife and twins and departed for Paris to begin again down the road to Art.

This journey began with a series of paintings that have yet to see print.
Previewed in an American gallery as "Anatomies and Decapitations,"
these violent and disturbing paintings (73 eventually) seem to have
been an exploration and a release combined. Searle wasn't sure
where he was going, but the direction seems to have been away from the biting,
but approachable, satire for which he was famous.
The future, when it came, was going to have a sharper edge.
Initially, though, that future looked much like the past,
except there were fewer British assignments and a different traveling
companion. His flight to Paris was as much towards the woman, Monica Searle,
who remains his wife, as it was away from intrusions and obligations
over which he had no control. And the line of drawings
was changing - the pen nib was spreading and splotching in new,
angular ways and the satire had a harder and more bitter bite.

Lighter assignments did continue during the Sixties.
He did the design for the animated opening sequences for the films,
Those Magnificent Men in Their Flying Machines and Monte Carlo or Bust,
covers for TV Guide, travel illustrations for Holiday, art for The New Yorker,
a divorce from Kaye in 1966 and marriage to Monica in 1967.
Several exhibitions of his work were staged and the public was exposed
to the illustrations that made other artists say, "Beware of Ronald Searle,
the man is dangerous." Why anyone would willingly put themselves
in the jeopardy of his pen is a mystery, but The Hudson Bay Company
commissioned him to document the annals of their 300-year old company.
The Great Fur Opera (1970) was the result and images like "Life at the Bay"
were pointed reminders of just how dangerous a man Ronald Searle was.

The late 60s also brought forth Hello - Where Did All the People Go? (1968),
Take One Toad (1968), The Square Egg (1968), Homage a Toulouse-Lautrec(1969),
The Adventures of Baron Munchausen (1969), and Secret Sketchbook (1970).
His output was prodigious and becoming more "dangerous" with each drawing.
His ability to observe and render the emotions (and images that could trigger them)
was at an all-time high. His road to Art was widening and all
facets of his artistic temperament were being nurtured. It was time,
unfortunately, for another detour.

Monica was diagnosed with terminal breast cancer and it was only through
the intervention (and invention) of chemotherapy that she survived.
Leon Schwarzenberg took personal charge of her treatment and literally
experimented her cure. Searle survived the ordeal, too,
much as he had survived Changi - he drew. His life revolved around Monica
and her treatments, but the need to create to fill up the anxious days was always there.
In 1973 he became the first non-French living artist to exhibit at
the Bibliotheque Nationale - a great honor marred only by
he theft of three of his paintings. In September of 1975,
the Searles decamped from Paris to a new,
still more private life, in Haute-Provence.

There, in a small French village, they had built a house during
Monica's illness - thumbing there noses at the disease.
She still was recovering when they arrived but has since been
pronounced cured. Searle celebrated by taking on more work.
Since the move he has designed commemorative medals for the French Mint,
allowed his Paris drawings to appear in a "collaboration" with Irwin Shaw, Paris! Paris!
, produced lithographs of his drawings (ah, Art!), created ads for American
Express (ah, Commerce!), published his cat books (ah, Sustenance),
and created two of my very favorites,
Slightly Foxed - But Still Desirable.

Vangog

Searle continues to amuse and amaze to this day.
His bite and his bark are equally ferocious, but always delivered with a wink
(or is that a sly grimace?). His rise was meteoric and merited and the
longevity of his reign is solely due to his talent. It's also our good fortune.

for more information
http://ronaldsearle.blogspot.com/

karry

2011-12-24T18:00:00.000-08:00

alejandro aguado

2011-12-24T06:55:00.000-08:00

federico porfiri

2011-12-24T06:48:00.000-08:00

norio yamanoi

2011-12-22T17:30:00.000-08:00

Margarita Eggers Lan

2011-12-21T10:58:00.000-08:00

kemchs

2011-12-20T14:14:00.000-08:00

schneidercartoon

2011-12-20T14:04:00.000-08:00

senonez

2011-12-20T14:01:00.000-08:00

betislav kovarik

2011-12-20T13:53:00.000-08:00

robert rousso

2011-12-20T09:18:00.001-08:00

philippe decressac

2011-12-20T09:10:00.000-08:00

Aris Malandrakis

2011-12-20T05:47:00.000-08:00

galeria krass

2011-12-19T12:20:00.000-08:00

daecio ramirez

2011-12-19T10:56:00.000-08:00

andre barroso

2011-12-19T01:25:00.000-08:00

redmancartoon

2011-12-19T01:20:00.000-08:00

Daniel Duel

2011-12-18T13:57:00.000-08:00

una vez mas

2011-12-18T13:28:00.000-08:00

Juli Sanchis

2011-12-17T17:39:00.000-08:00

Marlene Pohle

2011-12-16T17:56:00.000-08:00

Dachuan Xia

2011-12-16T17:50:00.000-08:00

Napo

2011-12-16T17:46:00.000-08:00

El Che de Tiziano

2011-12-16T17:25:00.000-08:00

milagro de navidad fin de la guerra en Irak

2011-12-14T18:47:00.000-08:00

balanza book

2011-12-13T17:11:00.000-08:00

HOMELESS

2011-12-12T14:10:00.000-08:00

avance

2011-12-11T18:11:00.000-08:00

tinta cruel Sed

2011-12-08T03:44:00.000-08:00

Noel tecno

2011-11-14T07:09:00.000-08:00

esta dura la calle

2011-11-10T14:35:00.000-08:00

Portada diciembre revista de vinos Chapo

2011-11-07T19:47:00.000-08:00

2011-11-07T16:18:00.000-08:00

Franco Fontanarrosa

2011-11-07T16:13:00.001-08:00

LA MUJER BARBUDA SALE A ESCENA!!!!

FECHAS DE PRESENTACIÓN DE SU ÚLTIMO DISCO
LAGARTOS TERRIBLES
ROSARIO: 27 NOVIEMBRE
BUENOS AIRES: 1 DICIEMBRE

LA MUJER BARBUDA, la banda de Franco Fontanarrosa, sale a escena para presentar oficialmente su última producción discográfica, dedicada íntegramente a los dinosaurios.

DOMINGO 27 DE NOVIEMBRE - ROSARIO
(Lunes feriado)
22:00 hs.
Mc Namara (Tucumán 1016)
Anticipadas $20, en puerta $25, con el disco $50.

JUEVES 1 DE DICIEMBRE - BUENOS AIRES
22:00 hs.
ULTRA BAR (San Martín 678)
Entradas $25, con disco $50.

Mirá el videoclip animado de QUETZALCOATLUS!!!

“Lagartos Terribles" es el significado de la palabra dinosaurio. Este disco de "La Mujer Barbuda" lleva por nombre dicho significado ya que la música que contiene está enteramente dedicada a estos animales prehistóricos.

Los dinosaurios se transforman en concepto de disco a partir de la búsqueda de expresar con sonido características de estas criaturas, ya sean observaciones concretas acerca de su aspecto, o manifestaciones más abstractas de la atmósfera que estos seres generan.

De esta búsqueda brotan distintos elementos en el disco, los cuales dan al mismo una anatomía no menos peculiar y grotesca que la de un reptil de 28 metros de largo.

Cada tema tiene el nombre de un dinosaurio. A su vez, las composiciones están divididas en tres grupos diferentes de acuerdo al tamaño del animal que cada una representa. Y se separan en pequeños, medianos y grandes saurios. Cada grupo tiene características de producción y de composición distintas.

Los pequeños tienen un sonido de baja calidad y las composiciones son bastante abstractas. Los medianos suenan de una forma orgánica y sus temas son de una contextura creativa más ordenada. Mientras que los grandes saurios tienen una tímbrica filosa y agresiva junto con un lenguaje musical distorsionado y predador.

Estas ideas zoomorfas, conviven dentro del mismo bioma con un modo de trabajar la música según el cual, sus elementos pueden ser ordenados de manera cambiante y retorcida, pero a su vez son todos iluminados por un mismo concepto claro y contundente. Métodos de emplear el sonido que tienen relación con usos de la música en el cine o en dibujos animados.

Hablamos de drásticos cambios de escenario sonoro, extrañas mutaciones de una misma idea, composiciones estructuradas de un modo aparentemente incoherente, malformaciones de géneros musicales como el rock, el jazz, el noise o el funk y un especial gusto por plantear una sensación de incertidumbre en el oyente.

Además, el arte del disco fue echo por Lucas Nine, quien, a través de un estilo virulento y expresivo, vuelca una galería de imágenes que imprimen acción e interacción a este museo sonoro, el cual es un trabajo que se traduce en un gran afecto y simpatía por estos "Lagartos Terribles".

Quizás, un disco, sea una manera de fosilizar la música.

Franco Fontanarrosa

LA MUJER BARBUDA son:

Martin Pantyrer: Saxos soprano, tenor y barítono, clarinete, clarinete alto y bajo, objetos y juguetes

Sergio Álvarez: Guitarra eléctrica, procesadores, objetos y juguetes

Franco Fontanarrosa: Bajo, procesadores, objetos y juguetes

Lulo Isod: Batería, objetos y juguetes

TEMAS

1- Un Kronosaurus viene de lejos

2- Trilobite

3- Longisquama

4- Microceratops

5- Dimetrodón

6- Alvarezsaurus

7- Pachycephalosaurus

8- Carbono 14

9- Dilophosaurus

10- Quetzalcoatlus

11- Baryonyx

12- Nahuelito

Leandro Ceruti

JA! Comunicación + Prensa

(54 11) 4770-9479

(549 11)-4971-2140 (móvil)

Malabia 1297 2° 5

C.A.B.A. - Argentina

www.jorgela.com

Pedro Molina

2011-11-01T20:23:00.000-07:00

China al rescate de Europa

2011-10-27T13:47:00.000-07:00

Second Master Cup International Illustration Biennial

2011-10-24T20:26:00.000-07:00

) Noah's Ark -- New World, New Age, New Hope...
B) Free Topic -- Live and Create Freely...

...........................................................................................................................
The Results of the Second Master Cup International Illustration Biennial

Jury member:
Dachuan Xia/Artist & General secretary of Chinese Artists's Association Cartoon
Committee
Christopher Petrocchi/2D Concept and Animation Artist
Johnny Lau/Director of AIC Asia Pte Ltd, Founder of INC3 Pte Ltd & Rojak City Pte Ltd
Guo Yong/Curator of Italian Bologna Illustration Biennial Chinese Area
Xiao Yanzhong/Well-known Taipei Cartoonist and Illustrator
Zhu Cheng/Director of Red Man Art Center
Dong Yingbao/Well-known Printmaking Artist and Director of Yingbao Workshop
Li Haifeng/Director of Beijing Cartoon Center
Lv Chao/Editor in Chief of Publishing House

w i n n e r s

Grand Master prize
Jin Hui/China
Quan Yingsheng/Korea

Master prize
ROBERT BARAMOV/Bulgaria
Takeda Hideo/Japan
Larry Glenn/Australia
Kim Young Taik/North Korea
Bai Yuping/China
Dey GAutam/India
MIKHAIL M. ZLATKOVSKY /Russia
VICTORIA GORO-RAPOPORT/USA
Xu Li/China
Teoh Hsieh Keat/USA

Best work prize
STEPHEN MUMBERSON/UK
Lv Jiang/China
Yuriy Kosobukin/Ukraine
MARCIN BONDAROWICZ/Poland
VICTORIA GORO-RAPOPORT/USA
ROBERT BARAMOV/BULGARIA

Special Prize offered by Host Units and Joint Hosts
Agnieszua Rogowsua/Poland
ANNA TIKHONOVA/BELARUS
BERT M.L. WITTE/Netherlands
Bobo Pernecky/Slovakia
BORKOVIC TOSO/SERBIA
Cristobal Reinoso/ARGENTINA
Gluszek Jerzy/Poland
CAU Gomez/Brazil
GRISALES RODRIGUEZ RAUL ALFONSO/ COLOMBIA
Grzegorz Szumowski/Poland
JIRI SLIVA/Czech
JITET KOSTANA/INDONESIA

Special Prize of Jury meeting
Special Prize of Jury meeting/Juan Canals Carreras/Spain
Special Prize of Jury meeting/Krashchin Nickolai Mikhailovitch/Russia
Special Prize of Jury meeting/Lv Jiang/China
Special Prize of Jury meeting/MIKHAIL M. ZLATKOVSKY /Russia
Special Prize of Jury meeting/Mojmir Mihatov/Croatia
Special Prize of Jury meeting/Mungan Ayten/Turkey
Special Prize of Jury meeting/Oleg Dergachov/Canada
Special Prize of Jury meeting/OLEKSY KUSTOVSKY/Ukraine
Special Prize of Jury meeting/PAOLO DALPONTE/ITALIA
Special Prize of Jury meeting/Pawel Kuczynski/Poland
Special Prize of Jury meeting/VALENTIN Druzhinin/Russia
Special Prize of Jury meeting/VALENTIN GEORGIEV/BULGARIA
Special Prize of Jury meeting/VICTORIA GORO-RAPOPORT/USA
Special Prize of Jury meeting/VLADIMIR KAZANEVSKY/UKRAINE
Special Prize of Jury meeting/Zhang Hai Tao/China

Honorary Prize
Honorary Prizes/AHMAD MASTALI POR/Iran
Honorary Prizes/Constantin Pavel/Romania
Honorary Prizes/Crudu Victor/Moldova
Honorary Prizes/Darko Drljevic/Montenegro
Honorary Prizes/Ivailo Tsvetkov/Bulgaria
Honorary Prizes/IWAMIZU ASAKO/JAPAN
Honorary Prizes/Jin Hui/China
Honorary Prizes/JIRI SLIVA/Czech
Honorary Prizes/JITET KOSTANA/INDONESIA
Honorary Prizes/KATZ GRIGORI/
Honorary Prizes/Krashchin Nickolai Mikhailovitch/Russia
Honorary Prizes/Mohammad Arezoo/Iran
Honorary Prizes/Moises Ramirez Alonso(MOI)/Spain
Honorary Prizes/Mojmir Mihatov/Croatia
Honorary Prizes/Mungan Ayten/Turkey
Honorary Prizes/Nikola Listes/Croatia
Honorary Prizes/Oleg Dergachov/Canada
Honorary Prizes/Oleg Goutsol/Ukraine
Honorary Prizes/OLEKSY KUSTOVSKY/Ukraine
Honorary Prizes/Saeede Abbas Gohari/Iran
Honorary Prizes/STEPHEN MUMBERSON/UK
Honorary Prizes/Valehtin Druzhinin/Russia
Honorary Prizes/VLADIMIR KAZANEVSKY/UKRAINE
Honorary Prizes/Yuriy Kosobukin/Ukraine
Honorary Prizes/Grzegorz Szumowski/Poland
Honorary Prizes/CAU Gomez/Brazil
Honorary Prizes/Cristobal Reinoso/ARGENTINA
Honorary Prizes/Bobo Pernecky/Slovakia
Honorary Prizes/Juan Canals Carreras/Spain
Honorary Prizes/Mungan Ayten/Turkey

Excellent Prize
Excellent Prizes/Dusan LUDWIG/Serbia
Excellent Prizes/Masome Rezaee/Iran
Excellent Prizes/Alex Trochut/Spain
Excellent Prizes/Anindito Anon/Indonesia
Excellent Prizes/Askin Ayrancioglu/TURKEY
Excellent Prizes/BORKOVIC TOSO/SERBIA
Excellent Prizes/Constantin Pavel/Romania
Excellent Prizes/Danny De Haes/Belgium
Excellent Prizes/Darko Drljevic/Montenegro
Excellent Prizes/DODDY ISWAHYUDI/INDONESIA
Excellent Prizes/DORU AXINTE/ROMANIA
Excellent Prizes/Du Yu/China
Excellent Prizes/FRANCO ORIGONE/ITALY
Excellent Prizes/IKHSAN DWIONO/INDONESIA
Excellent Prizes/ILYA KATZ/
Excellent Prizes/Jovan Prokopljevic/Serbia
Excellent Prizes/Juan Canals Carreras/Spain
Excellent Prizes/KATZ GRIGORI/
Excellent Prizes/Li Yan/China
Excellent Prizes/Ludo Goderis/Belgium
Excellent Prizes/Magdalena Nowak/Poland
Excellent Prizes/Mario JESUS MARCELINO/BRAZIL
Excellent Prizes/Markus Grolik/Germany
Excellent Prizes/MIKHAIL M. ZLATKOVSKY /Russia
Excellent Prizes/Mu Fa Yi/China
Excellent Prizes/Mungan Ayten/Turkey
Excellent Prizes/Musa Gumus/TURKEY
Excellent Prizes/Oleg Dergachov/Canada
Excellent Prizes/Oleg Goutsol/Ukraine
Excellent Prizes/OLEKSY KUSTOVSKY/Ukraine
Excellent Prizes/Pol Leurs/Luxembourg
Excellent Prizes/RAUL DE LA NUEZ/USA
Excellent Prizes/Saeede Abbas Gohari/Iran
Excellent Prizes/Serhiy Naberezhnykh/Ukraine
Excellent Prizes/Shirin Gholipoor/Iran
Excellent Prizes/SLOBODAN BUTIR/CROATIA
Excellent Prizes/STEPHEN MUMBERSON/UK
Excellent Prizes/Tchavdar Nikolov/Bulgaria
Excellent Prizes/Valehtin Druzhinin/Russia
Excellent Prizes/VALENTIN GEORGIEV/BULGARIA
Excellent Prizes/VICTORIA GORO-RAPOPORT/USA
Excellent Prizes/Yang Xin/China
Excellent Prizes/Nikola Listes/Croatia
Excellent Prizes/IKHSAN DWIONO/INDONESIA
Excellent Prizes/Juan Canals Carreras/Spain
Excellent Prizes/Mungan Ayten/Turkey
Excellent Prizes/Li Run Tang/China
Excellent Prizes/Alex Trochut/Spain
Excellent Prizes/Mike Quon/USA
Excellent Prizes/Masome Rezaee/Iran

Selected Prize
Selected Prize/Crudu Victor/Moldova
Selected Prize/Jin Hui/China
Selected Prize/Kim Heung-Soo/korea
Selected Prize/Dusan LUDWIG/Serbia
Selected Prize/ANNA TIKHONOVA/BELARUS
Selected Prize/Can Goknil/TURKEY
Selected Prize/Constantin Pavel/Romania
Selected Prize/CONSTANTIN SUNNERBERG/BELGIUM
Selected Prize/CAU Gomez/Brazil
Selected Prize/Dey GAutam/India
Selected Prize/KELEMEN ISTVAN/HUNGARY
Selected Prize/Li Run Tang/China
Selected Prize/MARINA GORELOVA/Belarus
Selected Prize/Mike Quon/USA
Selected Prize/MIKHAIL M. ZLATKOVSKY/Russia
Selected Prize/Musa Gumus/TURKEY
Selected Prize/OVBRADOVIC SLOBODAN/Serbia
Selected Prize/PREDRAG SRBLJANIN/SERBIA
Selected Prize/Ravshan M.Egamberdiev/Uzbekistan
Selected Prize/SavaB Babic/Serbia
Selected Prize/STEPHEN MUMBERSON/UK
Selected Prize/TAWAN T. CHUNTRA/THAILAND
Selected Prize/Todorovic Bobisa/Serbia
Selected Prize/Valehtin Druzhinin/Russia
Selected Prize/VLADIMIR KAZANEVSKY/UKRAINE
Selected Prize/Quan Ying Sheng/Korea
Selected Prize/Liu Yi/China
Selected Prize/ANA MARIA PILIPCZUK/ARGENTINA
Selected Prize/ANON ANINDITO-INDONESIA
Selected Prize/Gao Ke/China
Selected Prize/GEORGE LICURICI/ROMANIA
Selected Prize/Gong Lin/China
Selected Prize/Gu Lin/China
Selected Prize/LUDO GODERIS/BELGIUM
Selected Prize/Ma Tian Yi/China
Selected Prize/Mao Jing/China
Selected Prize/Milenko Kosanovic/Serbia
Selected Prize/Musa Gumus/TURKEY
Selected Prize/San Jin/China
Selected Prize/San Jin/China
Selected Prize/Tian Ke Jin/China
Selected Prize/Wei Li Xian/China
Selected Prize/Xiao She Yang/China
Selected Prize/Xie Ya Nan/China
Selected Prize/Ya Mu/China
Selected Prize/Zhang Chi/China
8Selected Prize/Zhang Chi/China
Selected Prize/Zhang Chi/China
Selected Prize/Zhang De Lan/China

.......

pronostico del tiempo, mañana diluvio

2011-10-22T19:18:00.000-07:00

la fuga

2011-10-22T19:09:00.000-07:00

Steve Jobs X Pedro Molina

2011-10-05T18:48:00.000-07:00

camuflage

2011-10-02T06:03:00.000-07:00

un clasico

2011-09-30T15:18:00.000-07:00

Israel-Palestina X Pedro Molina

2011-09-26T15:24:00.000-07:00

enter

2011-09-21T13:36:00.000-07:00

la siembra

2011-09-18T13:55:00.000-07:00

la caida del halcon negro

2011-09-14T20:14:00.000-07:00

Dalcio X Massoud Shojai Tabatabai

2011-09-14T20:00:00.000-07:00

invitacion Universidad Alcala de Henares

2011-09-14T11:55:00.000-07:00

crisis X Pedro Molina

2011-09-14T11:42:00.000-07:00

animales urbanos

2011-09-12T10:27:00.000-07:00

Lolo Amengual

2011-09-12T06:17:00.000-07:00

la realidad en blanco y negro

2011-09-08T16:58:00.000-07:00

sed de colores

2011-09-08T13:48:00.000-07:00

fast food

2011-09-05T10:50:00.000-07:00

Ricardo Roux

2011-09-03T10:43:00.000-07:00

tratado de paz

2011-09-01T15:07:00.000-07:00

cascanueces

2011-08-31T12:35:00.000-07:00

agresion a cartoonista sirio

2011-08-30T17:15:00.000-07:00

Alí Farzat, dibujante sirio bien conocido por todos, y por lo tanto también por los esbirros del carnicero Bachar El-Assad, fue salvajemente agredido por desconocidos en una calle de un barrio muy seguro de Damasco. Le quebraron un brazo y le aplastaron las manos rompiéndole dos dedos. Esto es una reminiscencia de los dedos rebanados a hachazos que sufrió el poeta y músico chileno Víctor Jara por los esbirros de otro carnicero, el pérfido general Augusto Pinochet, en 1973.

Poeta, músico, dibujante, he aquí profesiones de pasión bien difíciles de ejercer bajo dictaduras de cualquier color. Dictaduras que no dejaremos de denunciar con todas nuestras fuerzas y con las únicas armas de que disponemos: el lápiz y la pluma. Y nuestros dedos, evidentemente.

Queridos amigos de FECO de todo el mundo, a los lápices y a las plumas pues, para defender el dibujo hecho con toda libertad!

Brito
Vicepresidente general de FECO

espantapajaros

2011-08-30T04:33:00.000-07:00

as time goes by

2011-08-28T11:57:00.000-07:00

tiempo tormentoso

2011-08-27T13:19:00.000-07:00

vedette

2011-08-26T07:28:00.000-07:00

i-pod de la ley

2011-08-24T16:38:00.000-07:00

los simios se quedan sin planeta

2011-08-24T10:44:00.000-07:00

caida global

2011-08-22T10:53:00.000-07:00

recesion

2011-08-20T18:16:00.000-07:00

hace un tiempo

2011-08-18T15:08:00.000-07:00

la ceremonia de los pixeles

2011-08-18T14:51:00.000-07:00

villa libertad

2011-08-17T13:22:00.000-07:00

click

2011-08-14T19:40:00.000-07:00

packaging

2011-08-12T16:01:00.000-07:00

mucama

2011-08-08T18:51:00.000-07:00

ultimo trabajo de Rumen premiado en Colombia

2011-08-08T08:36:00.000-07:00

adios a Rumen Dragostinov el gran artista bulgaro

2011-08-08T07:41:00.000-07:00

estufa

2011-08-07T06:29:00.000-07:00

tatuaje 2

2011-08-06T16:25:00.000-07:00